A LITTLE RECORD-SHOP TRIVIA
Two different answers, four years apart. One of them you can still hear.
Ask “what was the first record made in Quebec” and you get two honest answers, because “made” is doing double duty. There’s the first record pressed here — stamped out from masters recorded somewhere else entirely — and there’s the first record actually recorded here, a real voice in a real room. They’re four years apart, and the second one has a name attached: Joseph Saucier, a Montréal baritone, singing “La Marseillaise.”
PRESSED
January 2, 1900
Berliner’s Montréal plant begins stamping 7-inch discs — from masters recorded in Europe and the U.S.
RECORDED
c. 1904
Joseph Saucier sings “La Marseillaise” at Berliner’s new studio, 138A Peel Street — the first recording actually made in Montréal.
Hear Saucier Sing
“La Marseillaise,” recorded roughly 1904 — the actual performance, preserved and shared on YouTube.
▶ Play on YouTube1900: needle down
Berliner’s Montréal operation starts pressing in the first week of January — 2,000 records in the whole first year. The discs came out a light-to-medium brown, a material collectors have never found from any other plant; they still call it “brown wax.”
1901: from 2,000 to two million
One year after the first pressing, Berliner sold over two million records out of Montréal. Whatever novelty hesitation existed around the gramophone, it didn’t last long.
Aside
A trademark, pressed right in. A handful of Canadian Berliner 7-inches didn’t just print the His Master’s Voice dog-and-gramophone mark on the paper label — they etched it straight into the playing surface of the disc itself.
1904: a voice, finally
Berliner opens an actual recording studio at 138A Peel Street. First through the door: Joseph Saucier — Montréal-born baritone, choirmaster and piano teacher — singing “La Marseillaise.” He’s thought to be the first French-Canadian musician to record on cylinder or disc anywhere in the country, not just in Quebec.
1906–08: outgrowing Peel Street
Berliner buys a corner lot at Saint-Antoine and Lenoir and puts up a five-storey plant. It outlives the company that built it: Victor bought Berliner in 1924, RCA bought Victor in 1929, and the building spent decades after as an RCA Victor recording studio — one of only five the label ever ran worldwide, alongside Nashville, Rio de Janeiro, New York and Los Angeles. It’s also the only one of the five still standing with its original wooden polycylindrical walls, built on purpose to bend the sound inside them.
Ninety-some years and every genre this shop sells stand between “La Marseillaise” and a 12-inch house single. Different room, different corner of the city, same basic trick: figuring out how to keep a performance after the air’s gone quiet.
Sources: The Canadian Encyclopedia (“Joseph Saucier” and “Berliner Gramophone Company”); Westmount Magazine, “How Recorded Sound Came to Montreal”; Musée des ondes Emile Berliner. Saucier portrait via Library and Archives Canada / Flickr Commons, CC BY 2.0; other images via Wikimedia Commons (public domain). Recording: Joseph Saucier, “La Marseillaise,” via YouTube.